Round Aqua Cluster Pendant Necklace, 925 Silver

Six oval aqua CZs set in an open circle with white accents between them, on a fine rolo chain. 42+3 cm, rhodium plated.

The design decision here is the hole in the middle. A solid cluster pendant of this diameter would carry real weight and sit like a disc against the chest; an open circle keeps the same visual size at a fraction of the metal and lets the piece move with the body instead of hanging flat. That is why this silhouette has become a staple in the layered-necklace category - it fills space on the neck without competing with whatever sits above or below it.

Six oval stones are set at even intervals around the ring, with a small round white CZ tucked into each gap. Spacing is the hard part of this construction: if any one stone sits a degree off, the circle reads as oval and the whole piece looks wrong. Each seat is cut to the same angle rather than hand-filed, which is what keeps the ring true across a production run.

The aqua colour is doing real work. Pale blue sits in the same family as aquamarine and blue topaz without the price, and it reads as a spring and summer colour in the EU and US markets - which is why this style tends to peak in Q1 and Q2 buying cycles.

The chain is a fine rolo, light enough that the pendant does not tip forward. Total length is 42 cm plus a 3 cm extender, giving collarbone to just-below placement.

Customisation without a new mould: stone colour (aqua, clear, pink, sapphire, emerald), plating (rhodium, yellow gold, rose gold), chain length, and logo on the clasp tag. Changing the number of stones means a new setting, which is quoted separately - but six is the count that reads as a complete circle; five leaves a visible gap.

MOQ is 2 pcs per colourway, with samples in 7 days. Lead, cadmium and nickel free to EU limits; certificates and QC reports issued per batch.

This sells in three ways: as a standalone everyday pendant, as the middle layer in a two- or three-chain stack, and as a lower-price entry piece for a brand testing whether its audience responds to coloured stones before committing to a full colour collection. Its light weight also makes it one of the easier styles to ship in volume without freight cost eating the margin.